DIY: edit yourself IN a WWII pro-bicycle poster

Originally published as a thread on Mastodon.

I had fun with a little photo editing on iPhone đŸ€—

I am helping by cycling when I can!

Pixelated version in colour of me riding a mountain bike added to the poster instead of the black and white business man on his bike

Even though today’s context is different from when the original poster was made, we still ought to save fuel, avoid carbon emissions, and generally exercise! đŸ’Ș

I may use this as my avatar on some platforms maybe.

Original propaganda poster from the early 1940s

Original propaganda poster from the early 1940s 'You are helping by cycling when you can', showing a black and white middle-aged man in suite carrying a briefcase and riding a bicycle.

I used as background the poster ‘You are helping by cycling when you can’, printed in Britain in the early 1940s during the Second World War to remind people to conserve fuel resources which were rationed.

Look, I made a template!

Empty poster with text only
Template poster ‘You are helping by cycling when you can’

I made the honorable black and white cyclist disappear, and share it here, so you can save it, in case you’d like to edit yourself IN and state you care about saving fuel, avoiding carbon emissions, or generally exercising! đŸ’Ș

Make your own!

Here’s how I did it on iPhone with the built in Photos app, and Tayasui Sketches (I think you can get by with the free version).

In Photos:

  • choose the photo of you in your camera roll
  • long press yourself till you see the outline and the “copy|share” button appear
  • Tap “copy”

In Tayasui Sketches:

  • select “New drawing”
  • at the top, in the 
 menu, select “import” then select “Photos”
  • choose the template image I provided
  • 
 menu, “import”, choose “paste”

Adjust and 🎉 tada!

Show me the results?

If you’ve followed this tutorial of sort, share your version, please!

My image editing routine on mobile

I also covered my image editing routine on desktop.


I joined the “Team iPhone” in November 2008, with an iPhone 3G. Yet photos I may have taken with it (it’s impossible to believe I didn’t) are lost; the first iPhone photos I have in my camera roll are from November 2011, using an iPhone 4.

Screenshot of my camera roll counting photos taken with the various iPhones I have owned over time: 13K with 11 Pro, 7.6K with 7, 7.6K with 6, 572 with 4, 315 with SE and 27 with SE 1st gen
Screenshot of my camera roll counting photos taken with the various iPhones I have owned over time

Equipment: iPhone & thumbs

Photo of two iphones side by side, being charged, on a red blanket. One is showing the white Apple logo and is updating, the other is waiting for software update.
April 2020: iPhone 11 Pro being set up by being near my iPhone 7 (picture taken with my work phone, an iPhone SE)

I don’t remember if something was wrong with my previous iPhone or if I simply wanted the three-lens new one, but I saved money and bought it, certain I was going to like it. I LOVED it. This is me when I realised how good the photos were: đŸ€ŻđŸ€—đŸ‘ŒđŸ€©

The iPhone 11 Pro, equipped with three lens, completely blew my mind, and continues to, still after three years. It’s not just the hardware, the software it comes with is really good! Lowlight conditions aren’t a problem. Macro isn’t very good though, but it’s not terrible either.

No wonder my picture count has exponentially increased! True, I no longer use my digital still camera. True, I started exercising that same year and being out and about creates many photo opportunities.

Screenshot of the bottom part of the Photos app showing the total count of images (40025) and videos (1156)
Screenshot from the Photos app with the total count of images (40025) and videos (1156)

Anyway. That’s it. That’s my current equipment: the iPhone and my thumbs.

Software (well yes, apps)

iOS Photos

The Photos app that comes with the iPhone is decent. It does two things: sorting and editing.

If the camera roll allowed custom tagging and if it exposed which albums you’ve put your images in, the Photos app would be PERFECT. Coming from Adobe Lightroom which raised cataloging to the level of art, using the camera roll is frustrating.

The editing features and results are very good. there’s even a “markup” feature that lets you do all kinds of interesting things to edit images, such as highlight things on them, draw in colours, add shapes or borders, etc. Note: markup turns off “live photo” so you need to do this last (or duplicate as still photo and markup the duplicate.)

Autumn 2023 update: iOS 17 botched “Markup” pretty good. The “magnifier” tool is gone (vote it up in the Apple forum). The rest of the tools are confusingly implemented. Boo hiss.

Screenshot of a photo of my cat next to my foot that I am editing with the "Markup" app by magnifying the paw of my cat touching the back of my shoe.
The “magnifier” feature via “markup”, when editing a photo

Note: All of the iPhone photos are post-processed whether you edit them yourself or not. So, if someone with a recent iPhone claims their photos are untouched, it’s a lie. They may not know it, but their iPhone does some initial work to make the photos stand out.

Snapseed

The perfect companion to the built-in iOS photo editor is Snapseed (also for Android), a free and ancient (I’ve been using it for more than 10 years) app which Google developed or bought (please, hold off any skepticism or contempt!), that looks like a mobile version of Adobe Lightroom, is versatile, rather easy to use, and extensively powerful. It just works.

I often use both iOS Photos and Snapseed, and go back and forth between the two, as part of my image editing flow.

Screenshot of the Snapseed app open to the tools tab
Screenshot of the tools drawer of Snapseed

Moldiv

Moldiv is an ancient, free app that I use when I need photo collages, of various ratios, not just squares. (Over the years it has expanded and does other things that I have not tried.)

Anecdotally, I used Moldiv to create the image at the top, based on three different screenshots (that’s why the search string used is displayed in bold in the Photos app search drop-down, and there are three different strings in bold in the composite image at the top of this post.)

Screenshot of the Moldiv app screen to choose from 24 different layouts to stitch images together
Screenshot of the pane to choose among many pages which shape to assemble images

iOS Shortcuts

I use a few shortcuts that are specific to Photos, mostly to resize images, but also to automatically resize and move the resulting image to an existing album. Here are three examples of how Shortcuts are part of my image editing process:

I have a Pixelfed album in my camera roll. For any new or old photo I wish to prepare to upload to Pixelfed, I select it after having edited it, and apply a shortcut (I created it myself, and a few others for similar use-cases) that resizes it down to 800 pixels on the longest edge, and moves the resulting image to my Pixelfed album. Then all I need to do is select it from that album when I am ready to post. The advantages are that I don’t fill up too quickly my Pixelfed account space (which is on someone else’s server), my original photos can remain in their original resolution on the camera roll, and there’s a specific album just for this account.

Another Shortcut that I love is “make gif” (“live photo” must be enabled in the camera settings for it to work): it stitches all the frames the iPhone records as part of the photo, into a three-second or so sequence which then loops.

My last example is about a shortcut called “bulk resize” which compresses (pretty well) and resizes to your desired dimensions (on the longest edge). If like me you use iCloud, are OK to pay a couple coins every month for the 200GB plan, and have over 40,000 photos in your camera roll, you may want to bulk resize photos in order not to run out of cloud space. I resize everything except the photos of people, the photos where I want “live photo” to be kept, and photos of my drawings and paintings.

Screenshot of two photos selected on iPhone and a pop in at the top to choose how big to resize them with 1024 set as default.
Two photos selected on which I’m applying “bulk resize“. An overlay rolls down with default size of 1024 that I could change before running it.

Editing routine

  • Sort (aka delete massively)
  • Keep only those photos that catch my eyes or have potential or perfectly render what I had wanted to capture or convey
  • Move to post-processing

Typical adjustments

Here are the most common and most useful elements of post-processing for me, in roughly that order (some actions are available only in Snapseed or are just way easier there):

  • Choose the best moment or frame in the few seconds that are recorded for each photos as part of the “live photo” feature (it needs to be enabled in the settings, and it’s a super wonderful feature!)
  • Straighten horizontally and/or vertically
  • Crop out anything that doesn’t belong or distract from the subject
  • Try the presets, sometimes they work really well, and you can choose how much of the effects you want.
  • [Snapseed] Adjust the white balance (the color picker is convenient)
  • Reduce highlights & increase shadows
  • Fiddle with the contrast maybe
  • Boost vibrancy most probably
  • Increase or diminish definition (globally or selectively)
  • [Snapseed] for portraits not taken using the portrait mode, try to apply some levels of “glamour glow” among the many presets
  • [Snapseed] Is grain desirable? (It’s way easier to add it than to remove it.)
  • Does monochrome work better?
  • Find the right balance between noise in dark parts and definition
  • [Snapseed] Selective tweaks to enhance some features of the image (for example darken areas so that other parts of the image are promoted, or lighten someone’s eyes just a bit, or remove the colour of some objects so that they become less visible.)
  • [Snapseed] Erase distractions (from red eyes to ugly lamp posts however small, or even people in the background, or objects, anything that is small enough if it’s part of the focus or not too obvious so that the “healing” is invisible.)

My cameras over time

Here’s a little aside between my editing process on desktop and on mobile.


I have used and owned the following still cameras:

  • 1999-2001: Sony MAVICA (on loan from my Dad and whose model I don’t remember. It’s the kind that recorded low resolution photos on FLOPPY DISKS! đŸ˜± and I had to carry a bag big enough for the camera and the 10 or so floppies I needed on a typical day.)
  • 2001-2003: Sony DSC-P1
  • 2003-2006: Sony DSC-P12
  • 2006-2007: Fujifilm FinePix S7000 (bought second hand from a colleague of mine.)
  • 2007-2009: Canon PowerShot S5 IS (I barely remember it!)
  • 2009-2012: Panasonic Lumix GH1
  • 2011: Polaroid 300! (Obviously not digital)
  • 2012-current: Panasonic Lumix GH3

I loved them all! Although I don’t remember the Canon, I took many pictures that I love with it. Here are pictures I could find of me and them over time:

My image editing routine on desktop

I also covered my image editing routine on mobile.


Equipment

I used to carry a fabulous Panasonic DMC-GH3 digital camera (and before then there were six other cameras), along with several wonderful lenses (the ultra flat and very bright 20mm / F1.7, the super versatile 14-140mm / F4-5.8, the 100-300mm / F4-5.6 sniper lens for wild animals, and my beloved Leica Elmarit 45mm / F2.8 which is so perfect for portraits in low light, not just for macro.)

Black digital camera next to four lenses ordered by size on a dark wooden table
Panasonic Lumix DMC-GH3 camera and lenses: 100-300mm / F4-5.6, 14-140mm / F4-5.8, Leica Elmarit 45mm / F2.8, 20mm / F1.7

I also used to carry around my neck a usb GPS dongle whose recordings could somehow be reconciled with my RAW photos, and which allowed me to visualise my photographic tracks on a map, and to add geolocation data to my pictures, that I would then spend significant but enjoyable time post-processing and posting to Flickr.

Me, white woman, bending forward and smiling by the ocean in the sun. I wear sunglasses on my head and a lanyard around my neck.
The USB GPS dongle around my neck, tucked in my swimsuit top, photo of December 2015, Hawaii, USA

Hardware & software

To do that, I needed a computer on which I ran Adobe Lightroom, and a couple of external hard drives (one for storing my photos, my Lightroom catalogs; and another drive to back everything up.)

I also used the “Web” tab in Lightroom to export collections into a custom HTML template and generate index pages, medium and thumbnail versions of the photos into the appropriate folders that I would then copy to a third external hard drive (where my personal website content was saved) which I would then “rsync” to actually mirror everything on the website in production.

The last time I did all of that was a long time ago (in December 2014), but I have done it countless times and I remember lots of it; from the layout of Lightroom and sliding cursors, to my gestures along every step of the workflow.

Editing routine

  • Sort (aka delete massively)
  • Keep only those photos that catch my eye or have potential or perfectly render what I had wanted to capture or convey
  • Move to post-processing

Essential adjustments

Here are the most common and most useful elements of post-processing for me, in roughly that order:

  • Straighten horizontally and/or vertically
  • Crop out anything that doesn’t belong, or which distracts from the subject
  • Adjust the white balance
  • Reduce highlights & increase shadows
  • Fiddle with the contrast maybe
  • Boost vibrancy most probably
  • Increase or diminish definition (globally or selectively)
  • Is grain desirable?
  • Does monochrome work better?
  • Find the right balance between noise in dark parts and definition
  • Selective tweaks to enhance some features of the image (for example darken areas so that other parts of the image are promoted, or lighten someone’s eyes just a bit, or de-saturate the colour of some objects so that they become less visible.)
  • Erase distractions (from red eyes to ugly lamp posts however small, or even people in the background, or objects, anything that is small enough if it’s part of the focus or not too obvious so that the “healing” is invisible.)

What happened after December 2014?

I can not close this post and give way to the next one (about my image editing routine on mobile) without tying that loose end.

There is a number of reasons why I stopped carrying the photo gear I love so much and no longer sat at the computer to edit photos and post to flickr and my website. These are the main ones:

  • iPhone cameras and built-in photo software became really good for such small and portable devices, and really convenient.
  • Work was competing for time, after I was give more responsibilities.
  • My longtime relationship ended and I couldn’t bring myself to even get the damn pictures out of the SD card, let alone look at them and do anything with them.
  • Then, four months after I had resolved to pick it up again in 2017, the iMac I had lusted after for years and finally saved enough to purchase got stolen when my home was broken into.
  • Lightroom stopped being a software you own; Adobe moved to a subscription model and I was not willing to pay for software I use once every few years.