This is an ink drawing of a crane after some Chinese brushwork piece by artist Nanrae.
I used a black ink brush pen, my Kuretake Light Grey and Geranium Red BrushWriters, and applied gold paint with a brush.

This is an ink drawing of a crane after some Chinese brushwork piece by artist Nanrae.
I used a black ink brush pen, my Kuretake Light Grey and Geranium Red BrushWriters, and applied gold paint with a brush.

I’m doing Inktober again in my small sketchbook Canson art book universal (14×21 cm / 4×6 in), in which I used half pages every day (except the first day).

Black ink applied with brushes and more or less water, white ink.

I don’t do too well with abstract concepts. And it had been a while since I had riffed the Hokusai” great wave off Kanagawa.

Planet Earth used a fishing bait. I used a grey ink brush pen from Kuretake. Apparently it liked the paper of my art book very much. So much that it seeped through!

There’s a Comics character called Freeze. Done with the purple ink and brush I received in a recent sketchbox.

Abstract prompt again, but an opportunity to stray not too far from the concept and try some architecture. I used the light grey ink BrushWriter from Kuretake for the lighter tones, and a felt tip marker for the darker areas.
My friend Daniel gave me a book on Chinese Brush Painting. Although I have owned for years now three or four Chinese brushes and a few sheets of rice paper, I was not ready for this undertaking, and chose to continue with watercolor, since I have recently enjoyed it so much (and my vacation was getting to an end, so I went for the most gratifying process.)
It took me several attempts sketching the figure to keep to realistic proportions (the man still has a slightly too big head and too short a torso), I used a Pentel black ink Brushpen, which performs wonderfully on really thin and thick lines:

I then erased the pencil and turned to watercolor. I used alizarin crimson for the flowers:

I added a few touches of black with my Brushpen to create the details of the flowers. I prepared yellow watercolor and painted the hat by drawing rays and leaving some white. I darkened my yellow with yellow ochre and added a few touches to the hat and went on painting the skin. I darkened further the mix with a bit of burnt sienna to paint the stick. Lastly I mixed a bit of turquoise and white to paint the belt.

I added water to my ochre/brown mix and with a light wash painted the background so the white robe would stand out. Here is the resulting painting framed (12.2×17.2 cm):

A quick go at two cranes on a pine tree, based on a mural I photographed in China in April 2016:

I chose a sheet of beige Canson paper, used a Pentel black brushpen for the outline and the black feathers of the cranes, and watercolor for the rest. I added white watercolor for highlights on the branch, and a white Posca pen for the cranes’ neck line and beak:

Here is the resulting painting, framed (30×20 cm) and ready to give to Isabelle as a present:

I made a simpler version in 2019 using ink and gold on a postcard.