Carl’s house (from the movie Up)

Remember the movie “Up”? Carl is compelled to leave (in) his house when it is squeezed too tight between skyscrapers.
Pencil sketch on Canson 10,2×15,2 cm One Art book:
Pencil sketch in an open artbook on a table. My fingers holding the page open are visible.

I used alcohol-ink brushmarkers and promarkers for colouring and a light grey Stabilo Point 88 for the thin lines:
Colours applied: black for the asphalt at the bottom, shades of warm grey for the two tall skyscrapers, green for the tiny lawn, grey-blue for the roof and window of the little house, reddish-brown for the chimney.

The watercolor effect in the sky was achieved by using a light blue promarker in one hand and the blender in the other. Then I did the same for the grey buildings in the distance. I used a black 0.1 mm Uni-Ball pin pen for the black lines, and a white Posca pen for the white ones:
Sky and background buildings added and coloured, shadows added, details added in white. I handwrote a title at the top, signed and dated at the bottom.

Vieux Nice (opus 2)

I complemented Vieux Nice (opus 1) with a particular scene I had in mind.

Pencil sketch on a thick watercolor pad, having delimited the same size as the opus 1 painting:
Masking tape and pencil sketch on a large watercolor pad: street lamp and its shadow on the wall it is mounted on, clothesline and clothes, window blinds.

I mixed orange and crimson for the façade that I applied with a large synthetic brush, and wiped paint with less than more success where the lamp and some clothes needed to be white. I applied some yellow around the window:

For the window blinds I used a mix of turquoise and ultramarine:

While the light blue was drying, I worked with burnt sienna and black on the lamp, and then painted details on the blinds with ultramarine:

I used burnt sienna for the shadows, included that of the clothesline, and black for the clothes in the back and shadow of the window blinds. I added an extra layer of blue for shadows and contrast on the blinds and let that dry:

With more black I finished the shadows between the blinds, corrected the shape of the lamp and added details around it. Then I grabbed a white Posca pen and traced the clotheslines, added white to the top of the lamp, and marked the window sill. I then used white watercolor to paint the white clothes:

Having painted white the glass of the lamp, the painting was finished. Here is it, in a 40×30 cm frame, ready to be given to the same friend to whom I gave opus 1:

Art: Two cranes on a pine tree branch

A quick go at two cranes on a pine tree, based on a mural I photographed in China in April 2016:
Reference photo of a painted wall showing two Japanese cranes on a pine tree branch
I chose a sheet of beige Canson paper, used a Pentel black brushpen for the outline and the black feathers of the cranes, and watercolor for the rest. I added white watercolor for highlights on the branch, and a white Posca pen for the cranes’ neck line and beak:

Here is the resulting painting, framed (30×20 cm) and ready to give to Isabelle as a present:
Finished piece framed in white


I made a simpler version in 2019 using ink and gold on a postcard.