Gouache painting of my siberian cat, Mickey-Raccoon, curled up on the side.
(Commission from DanielD for his sister who regularly gives me hand-made ceramic items <3)
Gouache painting of my siberian cat, Mickey-Raccoon, curled up on the side.
(Commission from DanielD for his sister who regularly gives me hand-made ceramic items <3)
I tested acrylic gouache. They are similar to regular gouache, and even watercolour, except that they dry much quicker and once they’re dry they can’t mix anymore.
It’s both an advantage and a challenge! An advantage because you can layer other colours without any smearing. A challenge because the error margin is much narrower: if you don’t get it right the first time your mistake has to be worked around.
This is a river scene with two persons using long poles to maneuver their boats, and passing next to patches of grass where trees like willows are growing. It must be the start of autumn because the trees are bare but there is still grass. A few huts are visible on the horizon. There is a big orange setting sun, and grey and orange clouds.
Framed in black, 10×15 cm (4×6 in.) [and since then sent to my friend Isabelle for whom I painted it.]
Rough pencil sketch
Transparent blue, grey, and orange.
This looks and feels just like watercolour.
A bit more colours in small areas: specks of grey and blue-grey to add vegetation in the background, and yellow for the huts, boats and the hats.
The green is now added to the meadow and another darker layer for shading. Brown and black for the trees, boats, men and their poles.
I realised this was going to lack a lot of contrast. The colours are much paler than I thought.
I added many thin black lines in ink to try to make up for the lack of contrast.
Stamped, dated and signed.
For Christmas, my mum would like a framed drawing of one of the pretty illustrations on vintage 1950s Quality Street tin box lids.
I chose alcohol markers which I got in the December Sketchbox package.
I complemented Vieux Nice (opus 1) with a particular scene I had in mind.
Pencil sketch on a thick watercolor pad, having delimited the same size as the opus 1 painting:
I mixed orange and crimson for the façade that I applied with a large synthetic brush, and wiped paint with less than more success where the lamp and some clothes needed to be white. I applied some yellow around the window:
For the window blinds I used a mix of turquoise and ultramarine:
While the light blue was drying, I worked with burnt sienna and black on the lamp, and then painted details on the blinds with ultramarine:
I used burnt sienna for the shadows, included that of the clothesline, and black for the clothes in the back and shadow of the window blinds. I added an extra layer of blue for shadows and contrast on the blinds and let that dry:
With more black I finished the shadows between the blinds, corrected the shape of the lamp and added details around it. Then I grabbed a white Posca pen and traced the clotheslines, added white to the top of the lamp, and marked the window sill. I then used white watercolor to paint the white clothes:
Having painted white the glass of the lamp, the painting was finished. Here is it, in a 40×30 cm frame, ready to be given to the same friend to whom I gave opus 1: