This is an ink drawing of a crane after some Chinese brushwork piece by artist Nanrae.
I used a black ink brush pen, my Kuretake Light Grey and Geranium Red BrushWriters, and applied gold paint with a brush.
This is an ink drawing of a crane after some Chinese brushwork piece by artist Nanrae.
I used a black ink brush pen, my Kuretake Light Grey and Geranium Red BrushWriters, and applied gold paint with a brush.
Again, Ganesha.
Kuretake Sumi black ink applied with the Black Gold 1/4 flat brush from last year’s October Sketchbox. Geranium Red ink Kuretake brush writer. On a Hahnemühle rough watercolor postcard (230g/m2).
I later sent this to Véro.
This is Cherry Trees at Goten Hill, from the series Twelve Views of Edo, done around 1835 by Hiroshige:
After sketching in pencil, I used a 0.05 mm and 0.2 mm (for the closest sailboats) Uni-ball pin pen to create the outline:
Then I used watercolor. Light grey for the sky, green for the grassy hill:
I added the roofs of wooden shacks right behind the hill, as I decided I wanted them. Then I continued painting, adding burnt sienna to my grey mix for the roofs, and using a wash of Prussian blue for the sea:
I darkened the sienna and grey mix to add contrast to the roofs, started to paint the figures in grey and light ochre. For the cherry blossom, I used alizarin crimson:
I ended up applying too much dark sienna to the roofs, that I couldn’t fix and darkened the figures as well. More alizarin crimson for contrast in the blossoms, and I was done:
Finally I cut it and taped it to a metallic blue card, and was ready to write the birthday card for a friend:
Both of these Moebius illustrations, that I had seen at the exhibition in Toulon, were done on bristol paper, 82×128 mm, using alcohol ink Brushmarkers and Promarkers.
Sepia ink with nib for the outline of the Moebius bust monolith, and warm grey markers:
Uni-ball pin pens (thin and really thin), and coloured alcohol ink markers for the blond Narcissus: