#Inktober2023 week 3

inktober2023 prompt list

It’s the 8th year in a row I’m participating in Inktober. The rules are simple: A different prompt every day. Use ink. Enjoy. Learn new techniques, or not.

Some choose to not use the prompt list, or create their own, or follow a different list. I prefer to stick to those proposed by Inktober creator Jake Parker, because I find it easier, even though some prompts are less inspiring than others!

Day 15: “dagger”

Black and grey ink drawing of a hooded crouching character carrying a dagger

My least favourite thus far. This is Ezio from the video game Assassin’s Creed. It looked much better in the pencil sketch I did before applying the ink. I used a light grey Kuretake BrushWriter, a Sakura micron 003 black pen and Pentel black ink Brushpen.

Day 16: “angel”

Grey ink drawing of a two robed and crowned characters standing on clouds and looking through an opening in more clouds at a series of angels climbing down what look like long stairs

Another tribute to Moebius. This is a reproduction of one of his illustrations of Dante’s paradise. I used the Sakura Micron 003 black fineliner and the Kuretake light grey BrushWriter.

Day 17: “demon”

Grey ink drawing of a crowned muscular armored male-looking character seen from behind, standing on a cloud and carrying a sheathed sword, with the left arm raised seemingly casting a spell on two people on the cloud opposite: a standing madonna holding a child and a seated robed and crowned man.

Another tribute to Moebius. This is a reproduction of another of his illustrations of Dante’s paradise. I used the Sakura Micron 003 black fineliner and the Kuretake light grey BrushWriter.

Day 18: “saddle”

Black ink drawing of a caped character wearing a helmet and riding a giant pelican that flies low on a deserted area with a spacecraft wreck.

Third tribute to Moebius in a row! Again I used the micron 003 black fineliner, Kuretake light grey BrushWriter, and a water brush pen to lighten further the light grey ink.

Day 19: “plump”

Black and grey ink drawing of a plump Japanese woman in traditional attire seen from behind as she walks out of a shrine under a giant paper lantern and is headed toward a crowd of people carrying umbrellas

Ukiyo-e vibes! I used again the same light grey Kuretake BrushWriter, a Sakura micron 003 black fineliner, and Pentel grey ink Brushpen. For the highlights I used a white ink Kuretake brushwriter but it turned the grey ink into an unexpected bluish hue.

Day 20: “frost”

Black ink drawing of two rows of trees and snow

Two rows of frozen trees on the side of a snowy road. I used the Sakura Micron 003 black fineliner.

Day 21: “chains”

Grey ink drawing of chain links

Chain links. I used my Kuretake light grey BrushWriter and water brush pen for the gradient of the background and some areas of the links, and the grey and black Pentel Brushpens for the links.



(See the posts for week 1, week 2, week 4-5)

#Inktober2023 week 2

inktober2023 prompt list

It’s the 8th year in a row I’m participating in Inktober. The rules are simple: A different prompt every day. Use ink. Enjoy. Learn new techniques, or not.

Some choose to not use the prompt list, or create their own, or follow a different list. I prefer to stick to those proposed by Inktober creator Jake Parker, because I find it easier, even though some prompts are less inspiring than others!

Day 8: “toad”

Night scene of a toad emerging next to carnations and a black ball

This is after a photo I took. The medium-sized toad is one of the two that I am aware live in my garden. I used a light grey Kuretake BrushWriter, a Sakura micron 003 black pen and Pentel black ink Brushpen.

Day 9: “bounce”

Black and grey ink drawing of a girl bouncing a basketball

Young girl playing basketball. I used only the Sakura Micron 003 black fineliner and the Kuretake light grey BrushWriter.

Day 10: “fortune”

Black and grey ink drawing of a cup of team and fortune cookie split in two. The fortune reads: you will make a name for yourself in the field of entertainment.

This is after a photo I took in a restaurant in California. The fortune promises that I’ll make a name for myself in the field of entertainment. It hasn’t come true but I haven’t tried very hard. I used the black micron 003 fineliner for the text, and for the rest the Kuretake BrushWriter in light grey ink, and the black Pentel Brushpen.

Day 11: “wander”

Black and grey drawing of a person with long hair and a coat, seen from behind, standing in a snowy forest, looking at the foggy nothing at the end of the path.

Gloomy forest scene where a young woman stands on a path, looking at a lighter hazy spot on the horizon. Again I used the micron 003 black fineliner, Kuretake light grey BrushWriter, and black Pentel Brushpen.

Day 12: “spicy”

Black and grey ink drawing of a handful of peppers on a wooden table

Hot peppers on a wooden table. I used once more the same light grey Kuretake BrushWriter, a Sakura micron 003 black pen and Pentel black ink Brushpen. For the highlights I used a white acrylic paint marker.

Day 13: “rise”

Black ink drawing of a character dressed in black flying upwards as geometric elements in the background suggest explosions.

Tribute to Moebius. I used the Sakura Micron 003 black fineliner and black ink Pentel Brushpen.

Day 14: “castle”

Grey ink drawing of a castle on a small island and its reflection in a lake on a grey cloudy day

Eilean Donan Castle in the Scottish Highlands. My favourite castle on earth. I discovered it when I lived in Scotland as a student. I used the Sakura Micron 003 black fineliner, Kuretake light grey BrushWriter, and black Pentel Brushpen. Ah and a water brush as well, to get lighter and more diffuse light grey.


(See the posts for week 1, week 3, week 4-5)

#Inktober2023 week 1

inktober2023 prompt list

It’s the 8th year in a row I’m participating in Inktober. The rules are simple: A different prompt every day. Use ink. Enjoy. Learn new techniques, or not.

Some choose to not use the prompt list, or create their own, or follow a different list. I prefer to stick to those proposed by Inktober creator Jake Parker, because I find it easier, even though some prompts are less inspiring than others!

Day 1: “dream”

Black ink drawing of a dream catcher against a grey background

A dream catcher. I used my beloved light grey Kuretake BrushWriter because if I’m fast enough to beat the air or warmth and the ink is still wet enough, there are very few layer marks. The grey is also beautiful. I also used a micron 003 black pen and Pentel black ink Brushpen for the fine feathers.

Day 2: “spider(s)”

Black and grey ink drawing of the “Maman” sculpture by Louise Bourgeois which is a giant metallic spider. Someone is standing up under it and someone else is crouching to take a picture.

This is after a photo I took in Bilbao: the “Maman” sculpture by Louise Bourgeois, near the Guggenheim museum. Micron 003, light grey BrushWriter, black Pentel Brushpen.

Day 3: “path”

Black and grey ink drawing of a character seen from behind, wearing a helmet and carrying a long staff whose top is shining. The man climbs up a ridge from which a cluster of tall crystals are visible. The sky is clear, dark and starry.

Moebius-inspired drawing. I used the black micron 003 fineliner, and three Kuretake BrushWriters: light grey, white and grey. The latter turned out to be too blue-indigo for a grey. The way the ink behaves is also different between the light grey and the grey, so I will not mix them anymore.

Day 4: “dodge”

Black ink drawing of a sports car

The prompt didn’t inspire my very much. I love the look of the Dodge Viper, though. Again I used the micron 003 black fineliner, Kuretake light grey & grey BrushWriters, as well as a staedtler black 0.3-2.0 mm pen for thin to thicker lines.

Day 5: “map”

Black outline of Antarctica and a compass all showing the north

This is after a funny meme from “Terrible Maps”: a map of Antarctica showing “south” near the middle and “north” everywhere else. The compass too shows the north everywhere. I used a black Kuretake fudegocochi pen, which sometimes drips black drops (but didn’t this time) because I can achieve some thicker lines depending on how I tilt the pen.

Day 6: “golden”

Black ink drawing of a Japanese woman in traditional outfit and hair style. A large golden circle is around her head.

Based on a doodle I made a fee years ago to test a black brushpen (but less well done, *sigh*) I used a Pentel black ink Brushpen, and gold paint from Pebeo moon fantasy, which creates some hammered effect (except the paint wasn’t thin enough and the effect isn’t obvious).

Day 7: “drip”

Black and golden ink simple outline of a drip and golden drop

The drawing I spent the least time on (maybe ever): a stylized medical drip filled with golden content and a big golden drop at the end of the tube. I used the Staedtler 0.3-2.0 mm black pen, and a gold metallic felt tip pen from Stabilo.


(See the posts for week 2, week 3, week 4-5)

I stepped down from the round table

The fictional round table from the Arthurian legend of the Middle Ages is the locus where King Arthur gathered the Fellowship that ensured the peace of his Kingdom. The table was round as a symbol of the equality of its members who included royalty as well as nobles of less importance.

The World Wide Web Consortium is hardly a Kingdom but I can’t help to draw a parallel between the W3C management group and the Round Table!

Historical background

Tim Berners-Lee, the inventor of the Web, founded W3C to coordinate Web standards development at the Massachusetts Institute of Technology (MIT) in 1994, and as soon as possible (which was 6 months after) added Inria (Institut National de Recherche en Informatique et Automatique) as the first European W3C host in 1995 (replaced in 2003 by ERCIM), followed by Keio University of Japan in 1996, and finally Beihang University in China in 2013.

For the first 28 years of the Consortium, these four Hosts partnered administratively to manage W3C Members (invoicing and collection) and to provide employment of the global W3C staff working under the direction of W3C’s management (W3M). W3M’s composition, which is rather stable, is thus based on the people in position of leadership at the Hosts. At times where a particular geography was insufficiently represented, we’ve increased representation for that geography.

2023: a new order

Fast forward to January 2023 when W3C became its own legal entity by moving to a public-interest non-profit organization and continues the same standard development process as one single corporation, and three of the Hosts became Partners. The authority, legal obligations and fiduciary responsibility are with the corporation.

A few months before the transition, the CEO we had had for twelve years retired, having successfully set enough things in motion for the Consortium to become incorporated. At this point, our COO became the interim CEO and finalized everything, put out the fires, set up the things that were required for the new corporation, and relied heavily on the rest of the W3C Team for maintaining our activities.

The W3M round table

I draw a parallel with King Arthur’s round table because his gesture was a federating one, and his goal was to rule the kingdom with all of its stake-holders. The W3C Management team (W3M) today continues with the same assortment of people from our global distributed team, some of whom are no longer managers, and some of whom are not involved anymore in any W3C Team work.

Redesigning it

One of the side projects I undertook last year was to propose a new internal organization, that I called “the Houses model”. It aimed to (1) merge the related functions to achieve a coherent, manageable and meaningful operating model, (2) remove “split” staff where possible, in order to gain in efficiency and coordination, and (3) attempt to fix the known negative optic that 25% of the W3C team (yes! incredible!) were on W3M, by streamlining it.

It took me a month to design it, socialize it with key people, make further adjustments, and put it to W3M’s vote. The resolution passed (yeah!) but it was the (then) CEO’s opinion that the consortium could not withstand an internal reorganization before the transition (meh!).

Objecting and finally leaving the round table

Starting before the W3C Inc. transition, W3M activities, which were to continue unchanged, slowed down rather abruptly and gradually came to a halt. W3Mers held their honorary positions while fewer matters were discussed and the group met less and less frequently, ultimately to deal asynchronously with scraps only.

I understand the inherent inertia of big groups. I recognize the allure of expediting decision-making where there is too many pressing matters and not enough time. But I thought that a temporary structure to allow leadership with transparency could have been set up, and some of the frustration could have been prevented. Not by scrambling to implement the Houses model we had decided to adopt. But with due diligence and open dialogue so that everyone understood the need for extraordinary measures.

For about a year, the status quo did not sit well with me (and I let the group know, early and often) because the opacity was not fair to the [rest of the] group itself, but also to the W3C Team and W3C Members whose expectations remained that decisions were the consensus of W3M, when it was no longer the case. I had concerns about the risk of taking insufficiently informed decisions or uninformed decisions. I had a strong discomfort with being personally associated with any decision that I actually hardly contributed to, if at all. So I asked to step down from the management group a few weeks ago and today I did.

I continue as Head of the W3C Communications team and have enough on my plate to keep me busy. I would be happy to consider rejoining the W3C Management team in the future, but as I do not care about a honorary position, it would have to be for meaningful contributions again.

December update: In the meantime, W3C hired a new CEO, who after a few weeks was ready to reconvene the management team. I was invited rather organically.